May 28, 2014

MDF XII, or Heavy Metal Parking Lot 2014


Another year over. My bruises and hangovers are gone and bittersweetly adjusting back to the work grind. A truly wonderful experience yet again and many a story to tell. Obviously we didn't get to see every single band because unless time travel or telepathic cloning was real, it would be impossible to pull off, or i'd just see barely 3 minutes of each band even if I had the stamina or funds to get me back and forth from each venue.

DAY 1 (THURSDAY):

Our group and I broke tradition of waking up hungover at 4am to catch our flight at 6:45 to adjust to a more comfortable 1pm flight which worked out way smoother than planned. We were also one body short this year which put the accommodation fee up a bit, but nonetheless was confident in the fact that my money was being invested in a comfortable bed that would await me each and every night I staggered back to the hotel room. The flight up was bumpy, which upset one of our buds since he hates flying (personally, I love it) and the bimbos in front of us were making us a little uncomfortable passing a 2 year old around like it was a teddy bear, but otherwise uneventful. We landed, texted our loved ones that we are still alive, unpacked, found food, and headed straight into The Rams Head.

A bit of a back story with MDF. Last year they got some criticism from attendees who complained Sonar (the venue it was held at for the last few times), was either unprepared for the horde of metalheads (which led to some last-minute executive decisions like a "tent stage" for the smaller bands, and all the complaints about the slow lines throughout the weekend), or flat out lied to the organizers about curfew times for Baltimore (which are set for 11pm, which was why Venom's set was cut short). Whatever the reasons behind the infamous year, it's past and they've since learned from it. So, onto this year. I surveyed Rams Head as it was a new venue (for MDF attendees at least) and found it to be quite luxurious. A 2 story auditorium, with not only bars but food courts on each level, plus a built in public bleacher room where people can take a load off.

WHITEHORSE was just starting as I walked in and hypnotized the crowd with their own doom/sludge/noise hybrid sound for a good 30 minutes. I've never seen them live but liked the music, albeit it's kind of enduring to make it through a 17 minute song of the same riff over and over. But a good appetizer to what I dubbed the "doom day" (Seven sisters of Sleep played before them actually, so they didn't actually start off the night).

SOURVEIN got up onstage soon after, and it was bittersweet watching them set up as I thought this would be their last ever performance (later to be a rumor, as they were confirmed for a handful of shows afterwards as my friend pointed out to me). They ripped through their set with a ferocious speed and strength it was a little intimidating.

TORCHE followed promptly after, and this was a good contrast to the brooding sludge Whitehorse brought before. They woke up the crowd and belted out song after song with no time to talk or chit-chat. Steve's guitar (or mic) was feeding back pretty bad throughout the whole set which he was getting more and more annoyed with as the set progressed...

COFFINS were up next and, again I was a first time viewer of them and they practically stole the show for me. Just high energy (albeit playing at a dooms pace), but they were all over the place, especially the small bass player, whose bass wah solos were everywhere and completely LOUD.

CROWBAR were Crowbar, and admittedly I left 20 minutes in because the combo of beer & jet lag was not sitting well and I felt like I was about to pass out. I missed quite the fuming rant by Kirk when a fan (or just drunk guy) got up on stage and got promptly tackled to the ground next to Kirk and he swung around and foot-clocked him (the fan) right in the temple, thus followed by a scathing bitching from Kirk feuled by what I assume is lack of sleep. Skip to 2:25 and just keep it playing....


All I had (I bitched about)

DAY 2 (FRIDAY):

We treated ourselves to a delicious chicken & waffles lunch at Miss Shirleys, and properly fueled up we set down to the Edison Lot. Now, again i'm comparing to last year but I feel it's necessary only to show A.) People who were there last year, who didn't attend this year, and B.) invert A. This couldn't have been a better upgrade than what Sonar was. Picture if you will a HUGE parking lot with 2 main stages, with more than enough room to mingle around and move comfortably from each stage with no hassle or spilling a drink. Here's visual proof:


Not shown are the food vendors, which besides being plentiful were easy to navigate through even with bands playing. Merch & other vendors had a space to themselves behind the food vendors along with a tented area for the bigger distros and T-shirt print shops that needed all the space they could get. Additional bonuses were a shaded (under an overpass, yeah) area with picnic tables ideal for recuperation and feet resting, and a bathroom corner that made the lines of Sonar a distant and laughable memory. Security too, and I feel strange to even rave about this, was FANTASTIC! Quite possibly the best team (or if they are all friends of the organizers, kudos to them) of people anyone could ask for. I've been an avid concert goer since '95 and these people were almost like old friends. Spraying all the sunbruned people with water, handing out the occasional beer and sunscreen, even crowdsurfing a few times. If you want a good vibe, I guess get people who are into it as much as you are, right? Hahaha! Alright, all of that is in place.

CASTEVET - Admittedly one of the oddball additions I thought, and not many were into them either. Still, I was liking them and the bass tone dude has was just a twangy, gnarly mess of low end.

MGLA - A band I seriously thought I'd never see at all and HOLY FUCKING SHIT they were amazing! They played their set faster than on record and it just added to the amazement. Really catchy stuff. One of the highlights for sure

RUINS OF BEVERAST - Again a "never thought I'd see" band, and while I liked them, not many others did. People complained mainly about the vocals not translating well, but I was fine with them.

CANCER - At this musical juncture, I met a buddy of mine and we drank in salute to his long trek over to the east coast for this thing. But, yea Cancer were pretty good, musically tight, but performance wise a little on the forgettable side, however the novelty of seeing them wasn't lost.

AGALLOCH - Saw them before, and their set had highlights that time. This time the luster wore off kinda quickly. It was mainly unfamiliar material (haven't heard anything new since 08) and it wasn't exactly resonating well with all the black & death metal that played earlier.

AT THE GATES - Another highlight. 16 year old me was moshing like crazy to "Suicide Nation" and "Terminal Spirit Disease", full of energy, on point and busted out song after song. No complaints, other than the time conflict with Bolzer who were playing right up the street. Had to duck out around the 7th or 8th song though.

BOLZER - Yet another highlight. 2 dudes that literally brought the venue down to it's knees. These guys were the diamond in the rough as literally NO ONE knew who they were and were playing over some of the main attractions as well. So yeah, glad I could be a part of their set.

IMPALED - It's Impaled, you either know them or wandered in randomly to them. Their set at Soundstage was a huge gore party and I got tossed up unwillingly within the first 10 minutes. Crazy kids.

ENTHRONED - Wandered out of Impaled a bit to catch my breath and watched them. Eh, take it or leave it.

INCANTATION - After all these years, Kyle STILL has a mustache! They delivered, but like clockwork fatigue and drunkeness set in and a good 30 minutes in I had to leave from utter exhaustion. Still from what I saw it was good.

So, cons being I missed Necros Christos (which dude looked like a pirate? lol) Taake, and Solstifir who (according to instagram) looked like drag queen cowboys that were playing $3,000 instruments. Pass on that.

 
lolwut?

DAY 3 (SATURDAY):

Washed and happily letting the pain meds do their work we set off (again) to the Edison Lot.

DIOCLETIAN - Fast & noisy as all hell.

ENTRAILS - Totally fucking ripped!

MACHETAZO - The bassiest grind I've ever heard. Just TONS of low end going fast as fuck too.

GOD MACABRE - Well received I thought. Would have liked to pick up their vinyl relapse had out, but oh well.

NOCTURNUS AD - Literally put me in a trance on how tight they were. Literally they sounded just like The Key, only live. Bonus to covering Chapel Of Ghouls at the end. Even if drummer flubbed it.

TANKARD - This is more about the pit that happened for them, Tankard were good but the fucking 80 foot wide pit that opened for them was the highlight easily.



SACRIFICE - People were divided on them, but I thought they were vicious! Just an all out thrash attack, bonus to Jed from SYL coming out and jamming for the last song.

BIRDFLESH - First time seeing them, and they were absolutley crazy. They had a good 4 or 5 songs in a row talking about anal sex and several kids were screaming every single lyric to them. Glowsticks, blow-up dolls, and backpacked kids (including myself) in spades.

UNLEASHED - Sounded good, good energy, song selection sucked I thought.

DARK ANGEL - I'm understating this when I say people went apeshit for them. When "Burning Of Sodom" started, people were screaming hysterically, cutting their wrists open and bleeding all over themselves and other people.

PUNGENT STENCH (SCHIRENC) - Klystar Boogie!

ASPHYX: I got 10 minutes up front and was content with hearing Martin Van Drunen scream for that long. Watched from the bleachers the rest of the time...shit i'm old.

DAY 4 (SUNDAY):

My most anticipated day. Ironically, the most sober i've been was for this day too.

WINDHAND - Saw 10 minutes and merch shopped. I was hoping they played Amaranth but no dice on that, eh.

BONGRIPPER - Seeing them sober was oddly enough a good time. Played 2 songs in 30 minutes, several people took pride in making a flag with HIPPIE KILLER written out to show them while they played.

GRAVES AT SEA - Absolutely fucking crushing live, add them to the list of "Never thought I'd see..." It was hard to have recording control over the grooves they laid out, but I managed a minute of this before the phone crapped out...


MISERY INDEX - Adam Jarvis is a BEAST on the kit.


May 14, 2014

MARYLAND FUCKING DEATHFEST 2014


My tradition of being absolutely trashed, sweaty, bloody, near broke, and all around stupid for 4 days of heavy metal parking lot starts up again next week.  All I love and am grounded to here, I leave yet again for the 4th year in a row. I yet again have no idea what to expect and/or anticipate (other than Gorguts blowing my head off), and I still embrace it with a drunken smelly bro hug.

Neurosis in 2011 was an absolutely phenomenal time, and I see why people drop their shit and see them live every chance they get.

Autopsy in 2012 I think raped me at some point because I felt violated in every way after they finished (well, after the cops showed up). The pit itself was partly to blame.

Evoken/Venom in 2013 tie for various reasons (even with the mandatory shutdown on Venom).

Here's to 2014...


May 2, 2014

FLOOR | CHURCHILLS PUB (Miami, FL)

So, my band got to open for the Floor show the other night. My first time playing Churchills since...shit, before they had a record store next door and all this gentrification talk ever happened. Having Henry Wilson watch you play and give you props pretty much made all of our days and many more afterward. Bittersweet seeing how Churchills is going under new ownership in the next couple weeks and we are essentially playing a "farewell" show to the old dump. Anyway, Floor fucking killed it. Played the whole new album and some selections from the S/T. My eyesockets are still rattling from the resonance.



And, shameless plug ;)

March 31, 2014

COFFINWORN/COLTSBLOOD

I'm on 2.3 hours sleep and running on 3 PBRs and an AM crunch wrap. I feel about as disgusting as these 2 albums.

COFFINWORM - IV.I.VIII

I lived near (well, 3 hours away, but would make a weekend trip whenever I could) Indianapolis for several years. I have a few friends there and consider it a splendid city. There's a thriving music scene and you can find a band for just about every genre you can think of. Coffinworm, to be quite honest, I had no idea even existed until their debut came out in 2010 and it literally came out of nowhere. Just this mess of blackened doom saturated with screams and feedback everywhere. Enter now 2014 and they return with well, more of the same...BUT I couldn't have asked for anything more. What they've stepped up a lot this time was the vocals...D(ave?) has a remarkable speedtime of gutterals-to-screeches and delivers them in spades on this. Also, the overall feel of the album is downright disgusting. Like a weekend-binge, hungover-Monday-morning, haven't-showered-in-3-days, puke-crust-on-mouth disgusting. Just delving into all the evil, heinous, bad, life-ruining things men do to themselves and others. Play this over Disney movies.



COLTSBLOOD - INTO THE UNFATHOMABLE ABYSS

Skip across some water over to Liverpool and you'll find Coltsblood. The ex-bass payer from Conan's doom project....yea that's redundant. Anyway, it's nasty stuff. Definitely the Conan drone & chug is there, but they're more...doomy I guess? In a good way, if any of you dudes (or lady!) are reading this. Like, they're taking fragments from Asunder, Evoken or even Nortt at times and calling it their own. Impressive debut I'll say. Once you get the funds, fly over here and melt some American faces off. We'll forever be grateful.



Doom on, Monday...

January 13, 2014

Bohren & Der Club Of Gore

2 weeks into the new year and with no new music to be giddy over I'm going in full reverse and sulking in nostalgia with what I feel is the darkest album I own and have heard to date: I present to you, again: Black Earth.



So chill, yet so chilling. I came across this in late 2004 from a friend from an old band on the subject of minimalist albums/artists. Being dude was a fan of Ipecac Records and the like he was selling me on it, and by the 3rd track I was hooked. It's really almost indescribable how dark this gets. If you can make it through to the end you feel like your soul was crushed. I imagine this as the soundtrack to a bunch of Stephen King novels or the occasional Von Trier flick.

Musically speaking, I fucking LOVE how quiet everything is...I mean it's supposed to be, but stuff like the drumming being done so slowly and so quietly, all the brushing and reverberating cymbals, and how you can hear the sax players' fingering and just the sound of wind blowing against the reed. So quiet it's positively maddening. Their other works before and after haven't really lived up to the hype this gets (though i'm curious for this new album in February), although Sunset Mission is a good album too, but...fuck man, this is so dark. It's funny to read that dudes in extreme metal like Ulcerate praise this album, but it's well worth the praise when you aim to set a bleak mood in your music. People compare it to doom when hearing the speed of it, but really the tone just says black metal to me.

Random sidenote: while deciphering the German track listing, I came across this: http://ackuna.com/badtranslator

December 4, 2013

//__2013 Albums

Another year, another post. Personally, this was a light year as far as listening to new things. Work and life responsibilities quadrupled and the payoff was about the same as before which I'm not happy about, but such is life. I'm foregoing ranks because it's pointless and if I ranked by plays it would be my own bands material. Anyway, here's what stuck:

//__JUCIFER - за волгой для нас земли нет
http://jucifer-official.bandcamp.com/album/-

I love this & them. They are a porn flick. A wall of amps cranked to 11 and in the center are two people relentlessly humping everyones eardrums. Sounds that are borderline inhuman and made by a 90 lb chick to boot.

//__IRON LUNG - White Glove Test
https://www.youtube.com/watch?v=_hVMPLUICqE

Actively speaking, these guys are one of the most pissed off groups I have heard. The energy and overall angst is unparalleled. Just fucking white hot rage all over the place. It still floors me how much low end their records pack for a group with no bass too.

//__SHROUD EATER - Dead Ends
http://shroudeater.bandcamp.com/releases

Local love. They stated a while ago when making this EP that they had a mantra written in their rehearsal room saying "MORE MOOD MORE GROOVE" and that is exactly what they have made here. An exceptional follow up from their debut and a serious shift in well...everything. Sound, structure, atmosphere, design, flow, etc.

//__SODOM - Epitome Of Torture
https://www.youtube.com/watch?v=_Sx_sSWqypU

It's Sodom. They've made basically the same thing since '82  but I'm not complaining at all. It's a quick listen but they pack A LOT in that time. Impressive after nearly 30 years. All hail German Thrash.

//__ROTTEN SOUND - Species At War
https://www.youtube.com/watch?v=rkTB2W3_RW4

There's a story that I read about RS. They were touring Europe years ago and at around 3am one night they were stuck on the road by a farm in Sweden...or maybe France?, I really don't care. So, very drunk and very bored. They break into a cow pasture and attempt to tip cows and scare them off by growling at them. 4 drunk Finnish dudes, in the middle of nowhere, in the middle of the night, growling and screaming at cows. It makes me smile each and every time I read it and it perfectly describes them. Where am I going with this? EP is great.

//__CLUTCH - Earth Rocker
https://www.youtube.com/watch?v=YrfZdv4PEXI

I unabashedly love Clutch and their output, particularly when they are either high or want to rock. This hit the spot after a weird 8 year slot of blues/gospel inspired albums. Good work guys.

//__CASTEVET - Obsian
https://www.youtube.com/watch?v=BYywN2tDXhE

From the ashes of NY's Copremesis and Biolich came Castevet. You'd think this would get lost in the sudden rise of NYBM bands and musicians over the last few years, but these guys hold their own. Also for being a relatively young band I was intrigued to see what the buzz was about. It's almost maddening to classify them. Think Krallice but with a more death metal style, very Gorguts inspired I'm hearing. Bottom line, Obsian is very impressive.

//__ULCERATE - Vermis
http://ulcerate.bandcamp.com/releases

There was a time where Tech-death morphed into this bloated, stale, homogenized style that was fashionable for guitarists who sat at home all day smoking weed, watching MTV and uploading youtube videos of arpeggio scales. Thankfully that is not the case with Ulcerate. These Kiwis get better and better with every album. Vermis is an audible beast and i'm actually favoring all the atmospheric parts a little more than the chaotic blasting and riffing.

//__NAILS - Abandon All Life
https://www.youtube.com/watch?v=Kt1gYAMICpc

My last review stated that Nails should get their own burger at KUMA'S, to which I had no idea that they already did...some foodie I am. This isn't about food though, this is about Nails. To where Unsilent Death was a machine of riffs and a huge weight of slams and blasts, this is a derailed freight train hurling towards you at 200mph with shrapnel being torn as it lands. Add to it a shrieking Todd Jones and one very familiar Morbid Angel riff running through it on the title track, and this is my workout album.

//__UNCLE ACID & THE DEADBEATS - Mind Control
https://www.youtube.com/watch?v=rfwdCOeKFao

Retro is cool, it's marketable. It will always be. Even in music it's fashionable to say "old is new". Stoner rock for this era, to go the route of the 70s in terms of fashion, sound, and overall vibe, works but only if you get it right. The two instantly I can think of that "get it" are Sweden's Graveyard & UK's Uncle Acid. The haziness and low-res..iness of UA is catchy and the grooves they get into are unmatched. Vocals I do not have a problem with either.

//__WORMED - Exodromos
http://willowtip.bandcamp.com/album/exodromos

OK, so the tech death rant I said earlier applies to this.  But, the ugliness and overall crunch they make is amazing. Like, in that "so ridiculous it's actually good" way. It's superbly hyperfast, like being sucked through a wormhole. The whole album; samples, spoken words, and broken english is meticulously crafted and well refined. Tight as a drum and effortlessly goes from chug to blast to stop to gurgle to chug again at 50000 RPMs. Still, nothing will beat that abyss-sized breakdown in the middle "Ylem", but then again nothing will so they'll always have that.

//__ORBWEAVER - Strange Transmissions From The Neuralnomicon
http://orbweaver-official.bandcamp.com/

More local love. Orbweaver, a band that is Miami's answer to that age-old question "What would happen if Frank Zappa made a death metal record?" It's immense, it's trippy, it's spacy, it's just...Strange. Shit literally comes out of nowhere at times, catches you off guard, makes you want to rewind the track and go "What the FUCK was that?" and it sticks in your head days after hearing it. It repels and confuses while being catchy...like I said, strange.

//__MOSS - Horrible Night
https://www.youtube.com/watch?v=Sw22KaF7yiE

Possibly the most drugged out thing made this year. Even with actual singing it's still unimaginably disgusting. I honestly am more of a fan of the early work of theirs, where a couple guys on acid were yelling their lungs out over bass feedback for 20 minutes. But since they are an actual band now the attempt to make riffs and songs is a surprising twist and very welcome. There's very respectable nods to the doom of yesteryear while retaining their fuzzed out drone mess they've always made. Get high and blast the fuck out of this.

//__GORGUTS - Colored Sands
http://gorguts.bandcamp.com/album/colored-sands

I said I won't rank, but this definitely was my most anticipated album not just this year but over the last couple years. As noted in a previous post this is spectacular. Just a march to battle right from the start. Relentless and unapologetic. Vicious and malevolent. Title track makes me a little misty-eyed, Battle of Chamdo gives me chills, and Absconders is like Gorguts channeling Times Of Grace-era Neurosis. I'm a happier person for buying this.

//__EARTHLESS - From The Ages
https://www.youtube.com/watch?v=-qFF97HPBk4

A long while ago, I thought it was alienating to make a song over 15 minutes. It makes you stand out, but also no one really wants to hear that much in one track. Blame my attention span I guess. But, if you have hooks and groove within the song, the length becomes an afterthought. Earthless are THE definition of jam. To take a riff, build over it, and play it repetitively to the point where the groove of it sucks you in and time & space lose all meaning. They do this like it's a science, and I listen in for every second.

//__EXHUMED - Necrocracy
http://exhumed.bandcamp.com/releases

Wasn't a fan of their "return" album. It felt a little rushed to me. This though is pretty damn catchy. Like this SHOULD have been the album they made I feel. As carcass clones go, these guys reign and with this album it seems the more groovy they go the more i'm into it. Groove works though, no complaints.

//__DEEDS OF FLESH - Portals To Canaan
https://www.youtube.com/watch?v=rWd0M-Uo1O8

I fucking love these guys. It's meathead, gym workout, bro-do-you-even-lift? music, but it's so well done. "Mark Of The Legion" still gets blasted around these parts. They've incorporated the sci-fi theme thing into the music pretty well and I love some of the obvious John Carpenter references throughout (2:57 in the link). Makes me proud i'm a sci-fi nerd at times.

//__BAD RELIGION - True North
https://www.youtube.com/watch?v=X2u6DeXvLDM

Again, they get the "But bro, IT'S THEM!" pass. They promised what was said and I have no complaints.

//__AOSOTH - IV: Arrow In Heart
http://agoniarecords.bandcamp.com/album/iv-arrow-in-heart

Aosoth are fucking vicious. A lot of french black metal is, but these guys stand out to me. They have a darkness to them that I can't really describe but it's definitely there. Listen to "Temple Of Knowledge" to hear what I mean. That repetiviness and drum thump towards the end is nuts, going right into the semi-breakdown. I know it's wrong to put "breakdown" in the same review as "Black Metal", so deal with it.

//__BÖLZER - Aura
http://www.cvltnation.com/aura-bolzer-review/

Yeah it's an EP. And yeah I wasn't familiar with them until MDF said they are playing next fest. Whatever, it's an awesome EP. That riff that starts "Entranced By The Wolfshook" catches you instantly, and for just being 2 guys the sheer weight of their sound is nuts. Dude channels some intense barbaric yells & serious Steev Hurdle howls in this too. Highly recommended.

//__DEAD IN THE DIRT - The Blind Hole
http://deadinthedirtsl.bandcamp.com/releases

Grind was kind of sparse this year I thought, or i'm just getting lazy. These dudes however are just fucking UGLY. It's like they get so mad at themselves at the end of each song that they all end in feedback and screaming and it's just too good to not hear. The album holds up remarkably well for how many times it sounds like it's falling into pieces. It's fun as hell. A drunken bar fight put to music almost.

//__KEN MODE - Entrench
http://kenmode.bandcamp.com/album/entrench

Noisy rock is good times, especially when it's as hyper as this. Venerable a couple years ago was great and this to is on the right path for them. I miss some of the sludgyness they did on Venerable, but hearing the Botch guy belt out his familiar bark on a track on this was awesomely surprising and made up for it...a little. It's shameful for as much as they tour how sparse I see them. Someday i'll change....